“I just loved Brady and Langstaff as Fogg and Passepartout. Talk about the proverbial British stiff upper lip, Brady didn’t have a flexible bone in his body. He was poker-faced and ram-rod straight whether riding an elephant through the[…]

“Gil Brady brings a precise edge to his portrayal of David…” – Herald-Tribune (Sarasota) “Baldwin and Brady are charming in their brief scenes together.” – Kay Kipling, Sarasota Magazine

“The leads were out of this world… Brady‘s last stop on the CFRT stage was in the over-the-top comedy ‘Boeing, Boeing.’ I knew he could be funny. But in ‘Superstar’ he showed us new depths. Of[…]

“Some highlights include Gil Brady, in his FST debut, as an addled, new father of a baby boy, who’s completely besot and riddled with ooky-wooky baby talk in “The Baby Song.” He’s hilarious as an incarcerated felon[…]

“Gil Brady has an easy, natural warmth as supportive husband Howie, who’s losing his wife as well. A crack has formed in his goodness, but he’s still a good man.” – Terry Morris, Dayton Daily News “Bay and Brady‘s[…]

“Gil Brady, as the debonair, successful businessman Bernard, is quite the lady’s man. He bears a resemblance to Pierce Brosnan, and his performance is every bit as polished.” – The Republican-American

“Brady was absolutely remarkable as the haunted Proctor. At first emboldened with a marvelously cocky swagger and an infectiously wry grin, he soon gave way to brooding melancholy and stubborn, tragic resolve. So captivating was Brady’s performance[…]

“Walker is troubled youth and throughout the first half much is revealed about his difficult psychology; he is the son of a mother gone mad and a father who ignores him. As played by Gil Brady,[…]

“And then there’s Gil Brady as the effeminate goldsmith who turns attitude and giggles into a science.” – Winston-Salem Journal

“As Danny Zuko, Sandy’s Romeo, Gil Brady out-dances John Travolta and creates the show’s most substantial character.” – Beth Jones (Roanoke)